Chinese dress Qipao / Cheongsam
How to take care
General care:
High quality Qipao / Cheongsam are made of good, but sensitive fabrics. Therefore you generally should be careful when you wear a Qipao / Cheongsam. Stains can be difficult to remove and thats why you should try to avoid them. You also should avoid fabric coming in contact with rough or sharp objects, which can hook the fine weave and cause dulling or frayed threads. Rolling up sleaves of Asian dresses can cause creasing / stretching.
Laundry / cleaning / iron:
Most Qipao / Cheongsam should be hand-washed or dry cleaned. In general dry cleaning is recommended, since laundering detergent and dyes in other clothes may affect fabric adversely. When washing Chinese dresses, always avoid strong detergents and gently wash by hand if possible. Chlorine bleach should never be used.
Ironing is fine regardless of fabric, but you should put a white damp cloth between the iron and the dress to avoid softening and color change. And if you dirty your Qipao / Cheongsam with incaution, you can cover the blot with a piece of moist cloth and then iron. The cloth can absorb some dust.
After washing and/or ironing, hang it (preferably in a well-ventilated area) to cool and dry fully before storing. Also fabric can be allowed to dry on a white towel.
Silk:
Gently hand-wash with neutral detergent. Hang to dry where it is not too hot. Avoid to hang it under the sun. It is best to iron when almost dry, using a white cloth under the iron. You can use higher heat, but you should avoid squirting water on fabric (may leave water marks).
Brocade satin:
Should be dry cleaned - not washed in water or washing machine. If it is a bright-coloured fabric, the ironing temperature should be lowered moderately.
Stowing:
Qipao / Cheongsam should be hung on wide hanger and not folded while storing. So if you want to stow your China dress for long, make sure that it is hung up by the clothes rack, especially, the shoulder is crutched properly.
Mothballs may be a good idea, but avoid the campher variety, which can cause yellowing of lighter fabrics.
Monday, 26 November 2012
Song Dynasty Style Hanfu
Song Dynasty Style Hanfu
This article is from the blog of http://perfectcostume.blogspot.com.au/
Some features of Tang Clothing carried into the Song Dynasty Such as court customs. Song court customs often use red color for their garments with black leather shoe and hats.Collar edges and sleeve edges of all clothes that have been excavated were decorated with laces or embroidered patterns. Such clothes were decorated with patterns of peony, camellia, plum blossom, and lily, etc. Song Empress often had three to five distinctive Jewelry-like marks on their face (Two side of the cheek,other two next to the eyebrows and one on the forehead). Although some of Song clothing have similarities with previous dynasties, some unique characteristics separate it from the rest. Many of Song Clothing goes into Yuan and Ming.
Su-Luo (a kind of slik, very thin) narrow sleeve clothes and Ru-Qun dress.
素羅小袖窄衣裳,復原宋代畫中襦裙仕女
Song Dynasty's ladies printed skirts gauze material recovery, ball pattern, moire and its variants derived from the Song Dynasty style fabrics, including construction grid fan, painted by a large number of popular patterns, this pattern of selection of cluster six goals in one "cluster six curd filling pattern "produced a skirt material.
宋代仕女紗羅印花裙料復原,球紋、龜紋以及其衍生出來的各種變體是宋代織物,包括建築格扇、彩繪所大量流行的紋樣,這次選用簇六球紋的其中一種“簇六填花球紋”製作了一件裙料。
Here are some images about to restore Southern Song Dynasty lady's wearing: hibiscus floral sprays magpie bird leno garment, golden floral collar, with wishful camellia pattern printed gauze pants.
南宋妝束,芙蓉折枝鵲鳥紋暗花紗羅褙子,印金花卉領邊,搭配如意山茶花紋印花紗羅褲,抓拍了走動時下擺瀲灩的瞬間。
Details of Hibiscus floral sprays Magpie Bird Leno Garment
Details of wishful camellia pattern printed gauze pants
The following images are about restore a Northern Song Dynasty lady's wearing: a leno garment and a thin silk skirt.
北宋:紗羅褙子素絹裙
The following image is to restore a lady's wearing according to a Song Dynasty traditional painting. Su-Luo (a kind of slik, very thin) narrow sleeve clothes and Ru-Qun dress.
素羅小袖窄衣裳,復原宋代畫中襦裙仕女
Song Dynasty's ladies printed skirts gauze material recovery, ball pattern, moire and its variants derived from the Song Dynasty style fabrics, including construction grid fan, painted by a large number of popular patterns, this pattern of selection of cluster six goals in one "cluster six curd filling pattern "produced a skirt material.
宋代仕女紗羅印花裙料復原,球紋、龜紋以及其衍生出來的各種變體是宋代織物,包括建築格扇、彩繪所大量流行的紋樣,這次選用簇六球紋的其中一種“簇六填花球紋”製作了一件裙料。
Here are some images about to restore Southern Song Dynasty lady's wearing: hibiscus floral sprays magpie bird leno garment, golden floral collar, with wishful camellia pattern printed gauze pants.
南宋妝束,芙蓉折枝鵲鳥紋暗花紗羅褙子,印金花卉領邊,搭配如意山茶花紋印花紗羅褲,抓拍了走動時下擺瀲灩的瞬間。
Details of Hibiscus floral sprays Magpie Bird Leno Garment
Details of wishful camellia pattern printed gauze pants
Perfect Costume 天衣無縫: Play Football with Wear Hanfu
Perfect Costume 天衣無縫: Play Football with Wear Hanfu: Some Chinese Han people think they can't play any sport if they wear a Hanfu. But I can't agree with them. Actually ancient Chinese play ...
Flower Hanfu
One of my dreams for a while was to cosplay at a really cool location… and another thing on my wishlist was to make a hanfu-inspired outfit with a big flower on my head.
~LIFE GOAL COMPLETE.~
AJ, Judy, Marcus and I went to Beijing and we figured while we were there, we should try to cosplay. We asked some Chinese cosplayers online and it seemed like a lot of the tourist locations (like the gardens and palaces) didn’t really mind if you showed up in costumes and took photos. People sometimes rent costumes and do it, or they even take bridal photos there! This attitude is very different from the typical attitude in the USA about taking photos in similar locations. Most places in the USA either won’t let you do it or will charge you hundreds of dollars. They often assume you’re doing it for some professional thing,… but we’re really just dorks, perhaps we are elaborate dorks, but still dorks.
We chose the Summer Palace, which was easily one of the most lovely and interesting places we visited on our trip. Every corner we turned was a more beautiful thing to see! (I’ll post more photos from our trip later.)
None of the staff gave us any trouble about dressing up! In fact, they really liked us and some wanted to get photos with us. We seemed to be pretty popular with the Chinese tourists, too. Marcus said that the order of comments changed from “She’s so tall!” to positive comments about our costumes first and wondering if our hair was real (it wasn’t) and THEN “She’s so tall!” Ha! Some people even knew who AJ and I were supposed to be! You’d hear them call our “names” as we passed. AJ is Green Snake from The Legend of White Snake, Green Snake. She’s been wanting to make Green Snake’s outfit for years!
My outfit was inspired by tvdrama version (Yang Gui Fei Mi Shi) of Yang Guifei. Yang Guifei was one of the Four Beauties of ancient China.
Really it’s mostly just my collar (and perhaps the flower on my head) that looks a lot like Yang Guifei, but “You can call me Flower if you want to.”
The outfits we made are not trying to be strictly historical, just mostly “inspired-by”. My patterns were drafted from scratch and I didn’t have much information on what actual hanfu were made like way-back-when. I was just going for a pretty look that was inspired by hanfu.
The phoenixes on the collar are machine embroidered (by me) from a set of files that AJ had used for her Asian Steampunk. Phoenixes, from what AJ and what we learned while we were in China, were the symbol often used by the empresses and consorts (basically the imperial females). The dragon was used for the emperor. The collar I made was heavily inspired by the tvdrama version of Yang Guifei. Some of the faux-extra-layer-collars are brocade, some are solid-colored.
There are three layers of sleeves, the longer two being floor-length and peachy-pink, while the shorter one is pink-pink.The sleeve-less underbodice is a blue on blue floral and has an appliqued ruyi tou arabaseque (sacred fungus) that I learned about in my Beijing Opera Costumes book.
The skirt is two layers of off-white with multiple layers of pink “petals” and a blue tabbard. The tabbard is made of the same fabric as the underbodice and has an applique design inspired by the ruyi tou arabaseque, but I’m not sure if it still counts as one.
The obi is a faux obi that snaps in the back. The dangling charms; one was from China Town in LA and the other I got at the Forbidden City in Beijing.
My hair is my own except the large bun in the back which is just pinned on. It’s a full pack of the yacky-type extension hair braid drawn into a bun. I wear it with about 4 silver hair flowers, 2 silver Miao-style hairsticks from CrystalMood, and a swarovski crystal pink bow in front of the peony flower (which is just a beheaded flower from Michael’s Crafts store with hair barrettes attached…)
Han-made clothes
Han-made clothes
A couple celebrating the Qixi Festival in traditional hanfu. Photo: CFP
Outfitted in a tall black hat and floor-length robe with loose sleeves, 27-year-old Li Baichuan could be mistaken for his Han ancestors who lived centuries ago if it weren't for his modern glasses and cellphone.
Although his traditional outfit provokes reactions and attracts attention from passersby, Li, and thousands of hobbyists like him, believe it is important to revive the traditions and lifestyle of their Han ancestors. Donning hanfu, a set of traditional Han clothing composed of several layers - most notably, a ground-sweeping robe - is their most overt attempt at bringing Han style back.
Nowadays, hanfu is usually only worn by hobbyists or participants in cultural exercises, but some religious figures, like Taoists and Buddhist monks, wear the garments every day.
Traditional hanfu is a set consisting of two or three layers. A light T-shirt and shorts set is worn under a long, wide-sleeved robe, and a typical set may also include a hat, sashes worn to secure the robe and a jacket that stays open at the front.
Li, who makes traditional Han clothing items by hand and sells them, wears a robe that follows an ancient pattern, with the left side of the robe diagonally crossed over the right. He chose red cuff and collar accents to set off his black robe.
To promote the use of hanfu, Li taught himself how to tailor the traditional garments, and he hopes to make the clothes shorter and more convenient for people to wear today.
Li has sold nine hanfu sets in the past two weeks.
"Young customers are more individualistic, and they willfully change patterns and match colors," he said.
Even Li wears modern clothes like button-down shirts and sweaters beneath his hanfu robe, allowing the collars of his contemporary wardrobe to poke out from under the traditional robe.
On the fringe
Li has found it difficult to convince the public in China, which is largely Han, to accept and adopt the traditional clothing of their ancestors.
In 1644, the Manchu rulers of the Qing Dynasty (1644-1911) ordered all Han people to adopt Manchu-style clothing or face harsh punishment.
The hanfu style was gradually replaced by Manchu style, which offered the cheongsam, or qipao, for women and the changshan for men.
After feudalism was overthrown in 1911, the changshan and other similar clothing styles were gradually replaced by Western fashion in China.
Only in the past 10 years have people started to call for a revival of Han Chinese clothing, donning such clothes in daily life, during festivals or on other special occasions, according to Li Baichuan.
When he started to wear hanfu in public, Li was often mistaken for a street performer or a Japanese person, as the hanfu robe looks a lot like a Japanese kimono.
For the sake of authenticity, he felt a dagger tied to his robe was a must-have accessory, but the dagger once prompted police to escort him out of a subway station.
Li also said it is difficult to find people who understand the message that hanfu hobbyists are trying to convey, especially in small towns.
Most hanfu hobbyists in China are from big cities. While no figure is available on the exact number of such hobbyists, about 2,000 to 3,000 live in Beijing, according to Li's estimates.
He also estimates that most hanfu hobbyists are in their 20s and 30s and that few have adopted hanfu as part of their everyday, public wardrobes.
Hobbyists join small clubs that rely heavily on personal contributions from members, and their meet-ups, which include costume shows, exhibitions and a pitch-pot game that was a popular way to entertain guests in ancient times, are usually held in parks and other free venues, he said.
Fashion statement
Hanfu sparked debate in 2007, when Chinese political advisor Ye Hongming proposed adopting hanfu as China's national clothing.
Supporters said popularizing hanfu would boost national pride and promote national unity, and they believed that such clothing called to mind China's ancient glories and could best represent China on formal occasions.
Others said the move was unnecessary and a symbol of Han chauvinism. "Why not the garments of ethnic minorities?" "A nation and its culture are not judged by their cover," Internet users wrote.
Prominent Chinese writer Yu Qiuyu labeled the proposal "nationalistic," arguing that people's freedom of choice would be undermined if everyone were required to wear hanfu on important occasions.
The hanfu battle fired back up this month after pictures of a university student in East China wearing hanfu were posted on online forums.
Qin Yawen, a college student from China's Soochow University, said TV shows inspired her to dress in hanfu, but others derided her actions as fame-seeking.
Wang Zhi, a Xi'an-based folklore expert, said that amid a backdrop of globalization, people are craving a unique cultural identity, which has aroused an interest in hanfu.
People have become worried about losing their identity, and they want to trace their roots, finding something that's unique about them, he said.
He Tongbin, a lecturer in the School of Liberal Arts at Nanjing University, believes that globalization has become such an indelible cultural influence that the promotion of hanfu can do little to help modern Chinese people to revive cultural traditions that were lost long ago.
It's hard to live like the ancestors, even for hanfu campaigners, he said.
Traditional “Hanfu” Fashion Finding Niche Market In China
Traditional “Hanfu” Fashion Finding Niche Market In China (Video)
Chinese Fashion Clubs Make Statement With Traditional Han Chinese Outfits
With China becoming the world’ssecond largest luxury market in 2009, many are projecting that Chinese trends will increasingly play a part in global fashion design in coming years, as major fashion houses look eastward for inspiration when developing their newest lines. While no one can be sure if this will be the case just yet, the idea that Chinese consumerswon’t become trendsetters in some way seems unimaginable.
However, some young Chinese are thinking less about the future of Chinese fashion but instead to its ancient past, creating “fashion clubs” devoted to traditional Han Chinese clothing, known in Chinese as “hanfu” (汉服) or “hanzhuang” (汉装). According to Baidu Baike (Chinese), hanfuin its earliest forms dates back thousands of years, then was refined in the Han Dynasty (206 BC–220 AD) and became the de facto Chinese dress until the time of the Qing Dynasty (1644-1912). Over time, hanfuwas adapted in several other neighboring countries, such as Japan — where it was adapted into the kimono and yukata — Korea, Vietnam and elsewhere. Calling back to this ancient fashion tradition, some members of China’s Han ethnic majority are looking to revive interest in hanfu, often wearing traditional outfits in public places and holding meetings and events with “hanfu clubs.”
While some hanfu enthusiasts dress up for fun, others want to use the surprise factor to remind others of their country’s ancient fashion history, which has been confined to television period dramas for decades, and in the period from 1949-1979 was considered a symbol of the country’s decadent feudal past. This week, a CNN video spotlights some of these hanfu enthusiasts:
The key thing with small clubs like these is that they remain very much niche phenomena in China, and are not without their supporters and detractors. While some young Chinese are delighted by their first public exposure to hanfu, and others have dressed up in traditional outfits for years — mostly for wedding photos — others, like some members of China’s more than 120 million ethnic minorities, may find hanfu, and some of the Han-centric views held by the occasional radical member of a hanfu clubs, somewhat alienating. However, as Chinese designers look to develop their own “modern Chinese” style and set themselves apart from western designers, we may see more design aspects from ancient Chinese history seeping into new designs, much in the same way companies like Shanghai Tang adapted qipaodresses and Zhongshan suits in recent years.
Monday, 19 November 2012
Videos about Hanfu and Traditional Dancing
This video is a fashion show about traditional clothing such as Qipao
This one is a fantastic dancing have a look at it!!!!
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